Review : Ghajini

Rating : Above average (3.8/5)
Genre : Thriller/Suspense
Year : 2008
Running time : 3 hours
Director : A. R. Murugadoss
Cast : Amir Khan, Asin, Jiah Khan
Kid rating : PG-13

GHAJINI : MASALA MEETS MUSCLE

The remake of the South-Indian original, Ghajini reminds me of the 8o’s revenge based dramas; films like Shiva which, in their turn, were remakes of South-Indian hits. Hence the abundance of large instruments of torture and gory fight scenes which usually end up with a knife in the back or a smashed head. With the color-coordinated songs (clothes match the cars) this film is also reminiscent of older Jeetendra-Sridevi pot-boilers like “Himmatwala” etc.

It’s a vendetta based film, where the whole point of the film is revenge. Aamir plays Sanjay Singhania, a very, very rich tycoon, who’s run afoul of a nasty businessman/crook. When the villain vastly damages Sanjay and his loved ones, resulting in Sanjay losing his lady-love Kalpana (Asin), and most of his memory, he must have his revenge on an enemy he doesn’t quite remember.

This is a formula film – nothing new about it. The first half of the film is mostly breezy – there are some gory parts, but on the whole it’s pretty light-hearted and fun. This is mostly due to the heroine – peppy Asin, a newcomer who also starred in the Ghajini original. Asin makes an impressive Hindi debut; she reminds me of a slimmer version of Sridevi – the hair, the figure, the over-archingly self-aware, over the top acting.

The second half of the film features some very gory fight scenes, and much brutality. Amir goes from a sweet lover-boy to rabid, growling revenge-seeker, very believably. Truly, in such films, where direction is adequate, but not quite flawless, where the story needs you to put away rational doubts, and brute force, not realism rules, can one see the finesse of an actor. And Aamir is quite a fine performer.

Jiah Khan who plays a major role, can’t act. And neither can the guy who plays the role of police inspector; he does very little besides flex his muscles. The rest of the cast is just about adequate; the villains are evil and sneering and trigger-happy, and the “good people” are very holier-than-thou. The heroine especially is a wholesome do-gooder, earnest and a little too empathetic – the kind of chirpy, scootie-driving gal who appeals to all the richie-rich, macho tycoons of desi filmdom, because of her golden heart.

This film is quite interesting with it’s anterograde amnesia theme; the hero able to retain events of only the past 15 minutes. And while the pace is fast, and keeps you engrossed, all facets of such a potentially complicated story aren’t intelligently handled. The director glosses over much of the things-that-could-be. In reality, Aamir’s mentally tortured character might need intensive therapy, but in the film he bashes 7 men all by himself, deals with many traumas, and manages to beat up villains with iron rods stuck into him.

Yes, it is a masala film, so yeah, I’ll bite my tongue and continue. I liked the film – it’s an interesting drama, dark and gruesome. But it also has romance, light-hearted moments, and features one of my favorite heroes. The heroine packs some oomph, the film has good cinematography and some very nicely picturised, melodious songs. The song which features “multiple” Amirs , all in different get-ups and all in the same frame was especially interesting. The downer is that Ghajini is predictable fare; there had been a spate of such films during the Shiva phase, and this theme seems a little jaded for today’s time. I wish it had had more finesse and attention to detail, been more realistic, and avoided some amateurish blotches – then it would have been quite superlative.